Inspired by Deconstructivism, an architectural style that emerged in the early 1980s to oppose the ordered rationality of modernism, the presented collection relies on the understanding and subsequent referential discord of architectural elements, such as fragmentation, surface manipulation, abstraction, absence of symmetry, rearrangement, accidental complexity, and dislocation of form, through personal perception. It dismantles understood assembles through the metaphorical investigation of form and detail. In the end, ‘Fragmented Metaphor’ represents the experiment in visual fragmentation and rearrangement that creates perceptive tension among architectural features of garments and the subjective sensitivity of the individual, which sponsors imagination capable of evoking a missing physical presence or delineating particular qualities that transcend the domain of concrete & material.